An analysis of jesus christ superstar a rock opera by tim rice and andrew lloyd webber

Lloyd Webber started writing his own music at a young age, a suite of six pieces at the age of nine. He also put on "productions" with Julian and his Aunt Viola in his toy theatre which he built at Viola's suggestion. His aunt Viola, an actress, took him to see many of her shows and through the stage door into the world of the theatre. InLloyd Webber was a Queen's Scholar at Westminster School and studied history for a term at Magdalen College, Oxfordalthough he abandoned the course in the winter of to study at the Royal College of Music and pursue his interest in musical theatre.

An analysis of jesus christ superstar a rock opera by tim rice and andrew lloyd webber

Judas did not think of himself as a traitor.

Tim Rice and Andrew Lloyd Webber release Jesus Christ Superstar - HISTORY

He did what he did, not because he was basically evil, but because he was intelligent. He could se Christ becoming something he considered harmful to the Jews.

Judas felt that they been persecuted enough. As far as what Christ was saying, general principles of how human beings should live together — Judas approved of this.

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What Judas was worried about was that as Christ got bigger and bigger and more popular, people began switching their attentions from what Christ was saying to Christ himself.

They were saying that Jesus is God, here is the new Messiah, and Judas was terrified because, a. Judas reckoned that if the movement got too big and people began worshipping Christ as a god, the Romans who were occupying Israel would come down and clobber them.

Of course, the Christ the authors present would not have risen from the dead. They are not men of faith, and their statements only serve to undermine the scriptures. I have not seen the show, and my objections are based on what friends who have seen it tell me.

The executives at MCA Records were terrified by it. These kids are trying to take Jesus off the stained-glass windows and get him down on the street. Some people are not going to like that.

But today, Jesus Christ Superstar has been dumbed down, made palatable and comfortable, robbed of the rebellious, smartass attitude that originally made music and theatre history. After all, politics is how humans decide collective morality, questions of how to live morally in a community of whatever size and of which values will be shared by that community.

Conversely, religion dictates those answers to humans, rather than allowing them to explore and form their own morality. With Superstar Rice and Lloyd Webber broke new ground in several ways. Second, the idea that rock and roll was an acceptable — even a preferable — language with which to tell this story was quite radical.

And perhaps most important to us today, the choice to focus the show on Judas rather than on Jesus lifted the show out of the category of mere cultural rebellion and into the realm of legitimate intellectual and artistic endeavor.

Why did Judas feel he needed to betray Jesus? As the quote above shows us, Rice delved deep into all these characters, infusing them with personality, psychology, and ideology that the more simplistic storytelling style of the Bible never offered.

But Rice told us a new story and that choice gave us back the dramatic elements that makes a good story; the politics of this story, the complicated relationship between Judas and Jesus, and so many other elements gave us back the tension, the surprises, and the unknowns that keep us involved in the story.In Andrew Lloyd Webber followed by the rock opera Jesus Christ Superstar (; filmed ), an extremely popular though controversial work that blended classical forms with rock music to tell the story of Jesus’ life.

That show became the longest-running musical in British theatrical history. A Larger-Than-Life Jesus Christ Superstar The award-winning London production of the iconic rock opera Jesus Christ Superstar — with music by Andrew Lloyd Webber and lyrics by Tim Rice — arrives in Chicago for its North American premiere.

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Jesus Christ Superstar a Rock Opera. Musical Excerpts Complete Libretto. Heaven on Their Minds; Everything's Alright. (Lyric Sheet by Webber, Andrew Lloyd; Rice, Tim and a great selection of related books, art and collectibles available now at schwenkreis.com Oct 16,  · With music by Andrew Lloyd Webber and lyrics by Tim Rice, Jesus Christ Superstar has wowed audiences for over 40 years.

Jesus Christ Superstar Live in Concert is an American musical television special that was broadcast live on NBC on April 1, (Easter Sunday). Executive produced by Craig Zadan, Neil Meron, Andrew Lloyd Webber, Tim Rice, and Marc Platt, it was a staged concert performance of the rock opera Jesus Christ Superstar. Jesus Christ Superstar was the third musical written by Lloyd Webber and Rice, following on The Likes of Us, which was staged for the first time in , and Joseph and the Amazing Technicolor. JESUS CHRIST SUPERSTAR. Written by Andrew Lloyd Webber & Tim Rice. Directed by Stephen Robertson. Musical Direction by Richard Marrett. With thirty pieces of silver and a kiss on the cheek, the ultimate act of betrayal is committed.

A timeless work, the rock opera is set against the backdrop of an extraordinary and universally-known series of events but . JESUS CHRIST SUPERSTAR. Written by Andrew Lloyd Webber & Tim Rice.

Directed by Stephen Robertson.

An analysis of jesus christ superstar a rock opera by tim rice and andrew lloyd webber

Musical Direction by Richard Marrett. With thirty pieces of silver and a kiss on the cheek, the ultimate act of betrayal is committed. Thanks to its included libretto and about 4, listenings, I still remember every single word to the double-lp set of JESUS CHRIST SUPERSTAR, one of the greatest "soundtracks" ever released.

In my opinion, it remains the best work of its famous authors, Tim Rice and Andrew Lloyd Webber.5/5(1).

The Story, The Rockopera - Jesus Christ Superstar